
A journey of a retired Girl Raised in the Southern mountains
who sometimes snorts when she laughs
Wednesday, August 24, 2011
1965 Ford Mustang Fastback

Thursday, August 18, 2011
Playhouse marks 30th year with special 'Sound'
When the Stained Glass Playhouse presents "The Sound of Music" beginning Friday, the occasion will mark the organization's 30th season in the old sanctuary of Marvin United Methodist Church on Indiana Avenue.
By KEN KEUFFEL
Published: July 17, 2011
Photo Credit: BRUCE CHAPMAN/JOURNAL
Patrons can count on seeing four shows a year in a 90-seat venue, most being revivals of tried-and-true musicals and plays. What accounts for such staying power?
Alvin Tyndall, Stained Glass' artistic director, provided intriguing answers. "We're very inexpensive," he said. "We have the lowest ticket prices anywhere: $15 for adults, $10 for seniors and students. … We want everybody to be able to come. We want to get more people to enjoy theater. It's not a matter of restriction by pocket book."
Remarkably, Stained Glass relies on ticket sales for most of its operating income, keeping costs down by paying virtually no one — directors sometimes receive a modest honorarium — and by recycling sets and costumes. Many materials are loaned or donated rather than purchased.
The company got started when church members wanted to present concerts and youth productions in a venue other than the church sanctuary. The church's current sanctuary is next door to its old one, which was converted into a performance venue.
Stained Glass Playhouse benefited from an unusual set of theater-related talents and connections in its founding members, several of whom are still active with the company.
It started out as a part of Marvin United Methodist. It then became a separate entity. In return, Stained Glass donates a portion of profit from ticket sales to the church. When refreshments are served during intermission, they are free. But patrons can make a donation to a church cause. A desire to be inclusive has contributed to Stained Glass' longevity. Stained Glass gets no financial support from Marvin United Methodist, but it uses the church's old sanctuary for free.
"We think we involve a large part of the community, all kinds of people, not just a certain clique of people, not just a certain economic level of the community," Tyndall said.
Tyndall, who is directing "The Sound of Music," said that a homeless person has appeared in Stained Glassshows and worked behind the scenes. The homeless person worked with the likes of Cameron Williams, a physician from Lewisville. Williams, a veteran of community-theater shows in the area, will play Capt. Georg von Trapp in "The Sound of Music."
Numerous neophyte actors try out for Stained Glass productions, having likely been encouraged by whatTyndall calls an "open" audition process that keeps the playing field as even as possible. Kate Kellum, a rising junior at Reagan High School, will make her acting debut as Liesl in "The Sound of Music.""I love singing and acting," she said. "I'm a huge 'Sound of Music' person. I thought, why not? I work in the mornings and then I come here. I love it."Until the opportunity to perform in "The Sound of Music" came along, Kellum had only taken drama classes at Reagan. Now she will "definitely do" school shows as well.
The repertory of Stained Glass likely has something to do with its enduring appeal. Each February, for example, the company presents a show in celebration of Black History Month. This year's show will be "A Raisin in the Sun," Langston Hughes' classic. Other Black History Month shows have included "Miss Evers' Boys" and "Mahalia."
"It's an opportunity to involve a group in the community who kind of felt left out," Tyndall said. "We really appeal to that community. We've been delighted at the number of people who've become a part of it."
kkeuffel@wsjournal.com (336) 727-7337
By KEN KEUFFEL
Published: July 17, 2011
Photo Credit: BRUCE CHAPMAN/JOURNAL
The Stained Glass Playhouse cast rehearses for "The Sound of Music." This is the playhouse's 30th year. The director credits the affordability and community appeal as factors in the group's success.
Alvin Tyndall, Stained Glass' artistic director, provided intriguing answers. "We're very inexpensive," he said. "We have the lowest ticket prices anywhere: $15 for adults, $10 for seniors and students. … We want everybody to be able to come. We want to get more people to enjoy theater. It's not a matter of restriction by pocket book."
Remarkably, Stained Glass relies on ticket sales for most of its operating income, keeping costs down by paying virtually no one — directors sometimes receive a modest honorarium — and by recycling sets and costumes. Many materials are loaned or donated rather than purchased.
The company got started when church members wanted to present concerts and youth productions in a venue other than the church sanctuary. The church's current sanctuary is next door to its old one, which was converted into a performance venue.
Stained Glass Playhouse benefited from an unusual set of theater-related talents and connections in its founding members, several of whom are still active with the company.
It started out as a part of Marvin United Methodist. It then became a separate entity. In return, Stained Glass donates a portion of profit from ticket sales to the church. When refreshments are served during intermission, they are free. But patrons can make a donation to a church cause. A desire to be inclusive has contributed to Stained Glass' longevity. Stained Glass gets no financial support from Marvin United Methodist, but it uses the church's old sanctuary for free.
"We think we involve a large part of the community, all kinds of people, not just a certain clique of people, not just a certain economic level of the community," Tyndall said.
Tyndall, who is directing "The Sound of Music," said that a homeless person has appeared in Stained Glassshows and worked behind the scenes. The homeless person worked with the likes of Cameron Williams, a physician from Lewisville. Williams, a veteran of community-theater shows in the area, will play Capt. Georg von Trapp in "The Sound of Music."
Numerous neophyte actors try out for Stained Glass productions, having likely been encouraged by whatTyndall calls an "open" audition process that keeps the playing field as even as possible. Kate Kellum, a rising junior at Reagan High School, will make her acting debut as Liesl in "The Sound of Music.""I love singing and acting," she said. "I'm a huge 'Sound of Music' person. I thought, why not? I work in the mornings and then I come here. I love it."Until the opportunity to perform in "The Sound of Music" came along, Kellum had only taken drama classes at Reagan. Now she will "definitely do" school shows as well.
The repertory of Stained Glass likely has something to do with its enduring appeal. Each February, for example, the company presents a show in celebration of Black History Month. This year's show will be "A Raisin in the Sun," Langston Hughes' classic. Other Black History Month shows have included "Miss Evers' Boys" and "Mahalia."
"It's an opportunity to involve a group in the community who kind of felt left out," Tyndall said. "We really appeal to that community. We've been delighted at the number of people who've become a part of it."
kkeuffel@wsjournal.com (336) 727-7337
Sunday, July 17, 2011
"Antique Grape" by Metlox Potteries
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"Antique Grape" was produced by Metlox Potteries, California, in the Poppytrail Division. Metlox Potteries was established in 1927 in Manhattan Beach, California. The company began making dinnerware in 1931. After Evan K. Shaw purchased the company in 1946, the number of patterns were expanded. Metlox Potteries closed in 1989.
"Antique Grape" was produced by Metlox Potteries, California, in the Poppytrail Division. Metlox Potteries was established in 1927 in Manhattan Beach, California. The company began making dinnerware in 1931. After Evan K. Shaw purchased the company in 1946, the number of patterns were expanded. Metlox Potteries closed in 1989.
The "Antique Grape" pattern has a traditional shape and is one of the more popular sculptured grape designs. This pattern has a scalloped rim with a raised embossed grape design on an off white background. "Antique Grape" was produced from 1964 to 1984 and then discontinued.
My Mother and I both collected this pattern. I now have all of her "Antique Grape" pottery in addition to what I have collected.
Friday, July 15, 2011
Stained Glass Playhouse celebrates 30th season
From Yes Weekly, 07-13-2011 » Page 38
Breaking ‘glass’: Stained Glass Playhouse celebrates 30th season
This year marks a milestone in Piedmont Triad theater circles, as Winston- Salem’s Stained Glass Playhouse celebrates its 30th anniversary season, kicking off with the July 22 opening of the Rodgers & Hammerstein classic, The Sound of Music under the direction of Alvin Tyndall, the artistic director of the Stained Glass Playhouse.

“Our productions have grown from amateur original scripts to professional ‘Broadway’ productions,” noted Tyndall. “Our actors have grown from children and a few adults to a large group of community actors who are involved in multiple shows throughout the community.”
There were eight founders of the playhouse, which was formed “in an effort to expand on the performances of a musical group at Marvin United Methodist Church called ‘Resurrection Joy’ — a musical group of guitars and drums with vocalists,” recalled Tyndall.
Although Tyndall is not one of the original founders, David Webster, the Stained Glass Playhouse’s current board chairman, was. “I’ve not quite been with the playhouse for the entire 30 years, but almost,” Tyndall said.
Since its humble beginnings, “direction has improved, costumes are outstanding, properties are specifically chosen and appropriate for the historical era, equipment has expanded and rates with other production companies in the area,” he said. “We’re still a ‘black box theater,’ unique to most audiences who don’t know what to expect when actors are directly in front of them as part of the production.”
Having directed over two dozen Stained Glass productions and overseen countless others, Tyndall counts among his personal favorites 1776, Jesus Christ Superstar, Brigadoon and A Raisin in the Sun (which will be revived later this season). Of course, not every show went smoothly.
“I remember that during 1776 one of our actors — who must not have been awake — came to me just before the end of our first weekend and said ‘Goodbye, I’m off for Los Angeles.’ In a panic, I reminded him that we still had two weekends to go. He apologized, but was still leaving. We were fortunate to find another actor, who turned out to be a direct descendant of the character. The replacement was a better actor!” Other mishaps weren’t so humorous, including the time a lead actor suffered a heart attack, or the time that a lead actress came down with laryngitis and has to be replaced by the show’s stage manager.
To describe the Stained Glass Playhouse as a labor of love would not be an understatement, and after 30 years the accent would still be on both “labor” and “love.”
“Some of our productions were quite simple, but we involved a large number of community volunteers,” said Tyndall. “That was one of our original goals and still remains a chief function of the playhouse.”
The playhouse’s 30 th season will include such classics as Arsenic and Old Lace, A Raisin in the Sun and The Miracle Worker.
Labels:
Stained Glass Playhouse,
The Sound of Music,
theatre
Wednesday, July 6, 2011
Blue Ridge Pottery "Yellow Nocturne" Pattern
Like many people in the southern mountains, I grew up eating off Blue
Ridge pottery dinnerware everyday. Who would have thought that this Blue Ridge dishware would now be so collectable? The pattern my Mother used was “Yellow Nocturne” from Blue Ridge and Southern Potteries. Southern Potteries of Erwin, Tennessee, produced Blue Ridge Dinnerware Pottery and China from the late 1930's until closing in mid-1957.
The "Yellow Nocturne" pattern has a bright yellow petal flower with a brown center, lovely green leaves and a thin yellow line on the outside edge on a white background. The pattern is in the Colonial shape and each piece is slightly different since they are hand painted. All her dishes have chips but are still usable but the serving pieces she had are now broken. I have been collecting extra dishes, cups and saucers, and platters.
Yellow Nocturne dinner plate
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Labels:
Blue Ridge Pottery,
Dishes,
pottery,
vintage
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